Canto 10: The Summum BonumChapter 5: The Meeting of Nanda Mahārāja and Vasudeva

Bhaktivedanta VedaBase: Śrīmad Bhāgavatam 10.5.13

avādyanta vicitrāṇi

vāditrāṇi mahotsave

kṛṣṇe viśveśvare 'nante

nandasya vrajam āgate

SYNONYMS

avādyanta — vibrated in celebration of Vasudeva's son; vicitrāṇi — various; vāditrāṇi — musical instruments; mahā-utsavein the great festival; kṛṣṇe — when Lord Kṛṣṇa; viśva-īśvare — the master of the entire cosmic manifestation; anante — unlimitedly; nandasya — of Mahārāja Nanda; vrajam — at the pasturing place; āgatehad so arrived.

TRANSLATION

Now that the all-pervading, unlimited Lord Kṛṣṇa, the master of the cosmic manifestation, had arrived within the estate of Mahārāja Nanda, various types of musical instruments resounded to celebrate the great festival.

PURPORT

The Lord says in Bhagavad-gītā (4.7):

yadā yadā hi dharmasya

glānir bhavati bhārata

abhyutthānam adharmasya

tadātmānaḿ sṛjāmy aham

"Whenever and wherever there is a decline in religious practice, O descendant of Bharata, and a predominant rise of irreligion — at that time I descend Myself." Whenever Kṛṣṇa comes, once in a day of Brahmā, He comes to the house of Nanda Mahārāja in Vṛndāvana. Kṛṣṇa is the master of all creation (sarva-loka-maheśvaram). Therefore, not only in the neighborhood of Nanda Mahārāja's estate, but all over the universe — and in all the other universes — musical sounds celebrated the auspicious arrival of the Lord.

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His Divine Grace A. C. Bhaktivedanta Swami Prabhupāda, Founder Ācārya of the International Society for Krishna Consciousness
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